Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno Stories of Christ's Passion oil


Stories of Christ's Passion
Painting ID::  32209 		Stories of Christ's Passion
1447 Fresco, 453 x 975 cm
1447 Fresco,_453_x_975_cm
   
   
     
Andrea del Castagno Stories of Christ's Passion (synopia) oil


Stories of Christ's Passion (synopia)
Painting ID::  32210 		Stories of Christ's Passion (synopia)
1447 Synopia
1447 Synopia
   
   
     
Andrea del Castagno Last Supper (detail) oil


Last Supper (detail)
Painting ID::  32211 		Last Supper (detail)
1447 Synopia
1447 Synopia
   
   
     
Andrea del Castagno Last Supper (detail) oil


Last Supper (detail)
Painting ID::  32212 		Last Supper (detail)
1447 Fresco
1447 Fresco
   
   
     
Andrea del Castagno Christ in the Sepulchre with Two Angels oil


Christ in the Sepulchre with Two Angels
Painting ID::  32213 		Christ in the Sepulchre with Two Angels
1447 Fresco
1447 Fresco
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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